I grew up in a small-(ish) American town filled with music. Some of my first memories are of fun-filled Friday evenings listening to the community band in the town square. In grade school, I started trombone and joined the chorus in middle school, but my interest in music never truly piqued until I got my first guitar. Now all the notes were right under my fingers and I turned my attention to how they all worked together. I was lucky to be part of some top-notch ensembles with ispirational teachers through high school and college. In high school, I studied instrumentation and arranging at the instruction of our marching band's resident arranger and had my first arrangements performed my senior year. Study in serious new music followed in college, but I never lost my love of popular music–even as I was discovering entirely new worlds of sound. After a few years of freelance work, I won a job as Staff Arranger for The United States Air Force Band in Washington, DC where I still work over 20 years later writing music in all styles for all ensembles and for every imaginable audience.
Tadd Russo
tadd@taddrusso.com
+1 (202) 525-6752
For Chorus and Organ • 2011
A setting of from the Gospel of John when John the Baptist met Jesus.
Translation: [John] saw Jesus coming toward him, and said, "Behold, the Lamb of God, who takes away the sin of the world!"... And John bore witness, "I saw the Spirit descend as a dove from heaven, and it remained on him. I myself did not know him; but he who sent me to baptize with water said to me, 'He on whom you see the Spirit descend and remain, this is he who baptizes with the Holy Spirit.' And I have seen and have borne witness that this is the Son of God. Alleluia! Amen!"
Score coming soon from Northwood Music Press
for a cappella Chorus (SSATBB) • 2007
Written for members of the Soldiers' Chorus of the US Army Fieldband, Washington, DC.
Text by Sara Teasdale (1884-1933)
Score Available from Northwood Music Press
for Cornet, Euphonium, and Concert Band (Grade 5+) • 2014
Written for the 75th Anniversary of the United States Air Force Band.
Premiered by Kris Westrich and Jennifer Cox with the United States Air Force Band in Washington, DC.
email for rental inquiries
for Concert Band (Grade 3) • 2006
And Down the Stretch They Come... was commissioned by James Dowdy and the Capital University Junior Winds for their performance at the 2007 Ohio Music Educators' Association State Conference in Columbus, Ohio.
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for String Orchestra • 1996
Family Voices was written for the 1996 productions of Family Voices and A Kind of Alaska by Harold Pinter. The productions were directed by Carl Skorepa and produced by The Ohio State University Department of Theatre in Columbus, Ohio. This suite of cues from Family Voices is dedicated to the memory of Alfio Russo.
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for Voice and piano • 2008
O My Luve's Like a Red, Red Rose was composed for Soloman Howard, Bass. The poem is a familiar one by the Scottish poet Robert Burns (1759-1796) in an entirely new setting.
Score Available from Northwood Music Press
Trumpet and Bassoon • 2007
Three short dances for trumpet and bassoon. The titles come from Mr. Palomar, Italo Calvino's collection of fictional essays in which Mr. Palomar observes the world around him. While the music was written before being titled, the imagery in Calvino's essays significantly matches the moods created in each movement.
I. The giraffe race
II. The albino gorilla
III. The order squamata
Score Available from TrevCo Music
Vocal/Choral
Written for members of the Soldiers' Chorus of the US Army Fieldband, Washington, DC.
Text by Sara Teasdale (1884-1933)
They Shall Not Grow Old is a setting of a stanza from For the Fallen by Lawrence Binyon. The poem was written for those who died in World War I, but I first encountered this text while looking through inscriptions found in World War II prison camps. They Shall Not Grow Old is set for SSATBB chorus a cappella and includes the additional words of the inscription in Stalag Luft I, "Lest we forget."
They Shall Got Grow Old is dedicated to Alfio Russo, Ralph Youngmann and all who served in World War II.
Written for Soloman Howard
Text by Robert Burns (1759-1796)
For Countertenor (or medium low voice) and piano.
Text By Edgar Allan Poe.
For SATB chorus and organ. From "The Sleeper" by Edgar Allan Poe.
Secular Choral Music, Edgar Allan PoeFrom the Chester River Choral Series. A song from the American Revolutionary War based on the tune "British Grenadiers."
for Chorus and piano with optional piccolo and snare drum accompaniment.
for inquiries about new works, arrangements,
or orchestrations, contact:
tadd@taddrusso.com
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